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Tag Archives: Tv School
DSLR Quick Shooting Tips
DSLR cameras are all the rage these days and rightly so. You can shoot effectively in low light, play with depth of field, and swap out interchangeable lenses. Sometimes though all those buttons and controls can be kind of intimidating. Luckily Vimeo’s own Dave Dugdale made this handy video to help guide your DSLR experience-
Keep in mind that Dave shoots with a Canon T2i camera, so his advice is at times specific to that model. Overall though most DSLRs require you to keep the same general controls in mind when shooting video. Here’s a quick overview of the most basic things to remember when going out to shoot-
1. Resolution and Frame Rate- most DSLR cameras can shoot at least 1280×720 resolution, many go higher to 1920×1080. Depending on your subject matter and your cameras capabilities choose appropriately. If you’re shooting a lot of action try using a higher frame rate like 60 frames per second(fps) since you can play it back in slow motion, in general though 24 or 30fps will do just fine.
2. Shutter Speed- The general rule of thumb to follow is to keep your shutter speed at least twice your frame rate. So if you’re shooting at 24fps your shutter speed should be at least 1/50th of a second. Or if your frame rate is 30fps set the shutter speed to 1/60th of a second. There’s room for experimentation here but in general about twice the fps should give you nice results.
3. F-Stop- When it comes to the aperture you need to think about the depth of field you’d like in your video. Do you want to focus on a main subject with a blurry background or are you shooting a landscape scene where sharp details throughout the frame are important? Decide where you want emphasis to be conveyed and then adjust the f-stop accordingly. Remember the larger the aperture the shallower your depth of field and vice versa. Also keep in mind that in low light, you may have to use a larger aperture setting to get enough light on the image sensor.
4. ISO- The key here is to avoid raising the ISO higher than necessary. If your ISO is too high you’ll start to see noise and your image quality will suffer. For sunny settings 100 should work fine but as you move indoors or shoot at night you’ll have to raise the ISO until you have a decent shutter speed to work with.
5. White Balance - It’s important to make sure you’re capturing colors accurately. You don’t want your images looking too warm (orange/red) or too cold (blue). If you have time the best thing you can do is to customize your white balance on location. Your camera should have a manual white balance mode, alternatively you may be able to set the Kelvin manually. If you’re unsure just go with automatic or an appropriate camera preset like sunny, cloudy, tungsten, etc. While it’s important to get this setting right there are solutions you can try later on in the editing phase, namely color grading.
6. Focus- Your camera has two basic focusing modes, automatic and manual. Now this is a source of some debate, but in general we recommend shooting in manual mode. Automatic focus is great if your subject or object isn’t moving and your camera is stationary but that’s not very common when taking video. Getting used to focusing manually can take some time but it’s a skill you’ll develop with practice.
7. Picture Styles- This will vary from one manufacturer to another but this setting affects how the camera processes varying amounts of light and color in your shot. In general we recommend using either the standard or neutral setting.
Finally don’t forget the obvious! Always have your batteries charged up and memory cards ready for recording. There’s a lot to think about with all this technology, and we haven’t even touched on sound, but keep these basic tips in mind when in doubt and when you have time read the lessons linked throughout for a more detailed explanation of each topic.
One last tip, clean your lens before you press that record button!
by Daniel Hayek
Tagged Tv School, video edición
Painting with Light
Ever notice those commercials where beams of light dance around people or objects to spell out words or make shapes? The ones that look like stop motion, but have cool light streaks around them? Many people refer to it as light painting, and it looks a lot like this:
There are tons of different ways you can incorporate this technique. You could make a music video where the bands members have ribbons of light beaming around them. Or you could give your video life by adding light painting to show character movement. Light painting, can produce some amazing visual results, and with some preparation it may not be as hard as you think.
Here’s what you’ll need:
Stills Camera with manual settings
Tripod
Dark clothing
A light source, preferably a flashlight, LED, glowsticks work pretty well
A friend or partner to help (not necessary but guaranteed to increase the number of laughs)
A dark environment
A fun idea!
Our friends at PhotoJoJo pieced together an awesome guide to the basics.
Lightpainting How-to with Photojojo! from Photojojo loves you on
The process of creating light paintings varies based on what you want to capture. You can make a video card for someone where the words are spelled out, outline objects like in the examples above, or do something really elaborate, like ask someone to marry you in light writing over a couple of city blocks. That’s what Derick Childress did here when he proposed to his now wife, Emily. Derick was kind enough to explain at length exactly how he accomplished such an awesome video.
Here are some technical details to keep in mind-
Turn off your cameras’ auto focus
Set the ISO low (under 400) so the sensor can pick up your light source easily
Adjust your f/stop or aperture to as high as you can get it (e.g. f/18 or f/22). This will prevent other sources, like background street lamps, from showing up in your images
If you want to capture long streaks of light, just take a photo with a long exposure, this means using a slower shutter speed and have some fun dancing around in frame with your light source.
You’ll want to experiment with different shutter speeds, a longer exposure= longer light streaks
If you want to capture a subject along with light streaks, fire the flash on your subject at the beginning of the shot, then enter the frame while you subject remains still and draw away!
Finally, making a video out of these pictures mirrors the steps to create stop motion almost exactly. You can refer to our timelapse lesson here for reference. After you’re done shooting your images, you’ll want to choose the best ones, weed out the rest, and then bring all those images into a video editing program. By placing your images in order you can animate movement, spell out words, or make all sorts of interesting light based shapes.
It will take some practice with your camera and location to get the best results, but done right, you can make some amazing visual works of art!
by Matt Schwarz
Tagged Tv School
Setting the Pace
Alright, today we’re learning about pacing and cutting! Of course making compelling videos takes practice, but by following just a few simple rules we’ll cover in this lesson, you can easily set the mood you’re aiming for. Controlling the number of shots and pacing them in a deliberate way is a BIG part of establishing the feel you want.
In the video below by Peter John Ross, you’re given a quick overview of how the length of each clip and the variety of shots together affect the feel of your video. Take a gander for a more detailed explanation with some great examples.
Deciding how to shoot and then to edit your video depends, to a large extent, on what you want to convey. Ask yourself what you want to evoke from your audience. Is it an intense action sequence, or a tender romantic scene where you want to emphasize the characters facial expressions and reactions? Think about what’s important to show and when. Is there something that deserves emphasis like an object in a characters hands, or a subtle glance worth capturing? Think over these points carefully before you start shooting and come up with a list of the shots you need. This will help speed up your production and it’s a good way to make sure you’re capturing all the footage you want. Once you start editing, play around with cutting shots at varying lengths, you might be surprised how an extra moment or two can completely change the feel of scene.
Let’s compare a couple of videos that use different cutting styles. First up is, Solitude-
Solitude from robin risser.
This quiet, introspective video takes it’s time with each shot but it is by no means tiresome. There’s a lot of detail to notice in each shot and the creator has intended for you to take your time as a viewer. Also notice the shot variety, you’re presented with a combination of close ups and wide shots that help keep the visual information interesting.
Let’s compare the feel of that video to this one by Moop Jaw-
Fun stuff right? This video has a vibrant, exciting feel to it and part of that feeling is established by having quick cuts. Some cuts are so sudden that you may not notice them and others are obvious. Regardless,there’s also a lot of shot variety. We’re primarily shown whole body scenes of the dancers but it’s mixed in with shots of feet and waist up medium shots as well. Obviously music plays a huge role in this video as the tempo leads the pace of editing.So here we have two very different videos that use different editing paces to establish a mood. Music, framing, and many other elements of shooting will have an unquestionable effect but keep timing in mind when you’re telling your story.
Getting a good feel for pacing can take years of practice to learn and apply properly but with a bit of luck and persistence your videos will only get better. Remember in life and videos, timing is everything.
by Daniel Hayek
Tagged Tv School
Tripod Tricks
The world of video production can be a pricey place. Luckily, there are tons of quick tips and tricks that can help you create professional looking shots for practically nothing! This lesson focuses on the secrets a plain old tripod holds deep within those magical extending legs that can help take your videos to the next level.
Check out this short tutorial we made to help you unlock the secrets of the tripod.
Let’s recap these tips below-Tripod as dolly slider- If you retract one of the legs on a tripod you can use the remaining two legs as pivot points to smoothly move your camera back and forth. This effect can help add motion to a static shot, suspense to a bland scene, or to help emphasize an object. Just remember to carefully pitch your camera forward and back as you lean the the camera. This will help keep your shot level while still giving you that smooth slider effect we all love.
Tripod as crane- Just like the dolly slider trick you again retract one leg and lean the camera on the remaining two. Since you’re trying to emulate a crane shot though, you’ll want to lean the camera far forward, almost to the ground and back. This effect can be exaggerated by extending the tripod to its maximum height. These types of shots are great for revealing moments in a scene or inversely moving from high to low to help emphasize a character or object.
Tripod as steadicam- The weight of your tripod can actually help smooth out your shots. Just open up the legs and grip the tripod from below the camera mount. The extra weight displacement should help keep small shakes to a minimum. This technique takes some practice to get right but with a nice smooth shot your video will look better. If you are unsatisfied with your footage, feel free to add some image stabilization during post. We used Final Cut Pro’s ‘Smoothcam’ filter!
Rubber band for pans- If you take an everyday rubber band and place it on the handle of your tripod you can smooth out your panning shots. The extra tension provided by the rubber band will help make your pan shots smooth instead of jumpy. Just make sure to grip the camera firmly with your other hand as you lead the movement by pulling on the rubber band carefully.
Remember that all tripods are different. Some of you might own a top of the line model while others might be stuck with your family’s old handy-cam tripod. Make do with what you have and keep in mind that making videos is about being creative and solving problems, it’s half the fun! Learning to shoot video isn’t an easy task and these different tricks took us a few times to get just right so practice before using them on a serious video project. Give them a shot though and who knows, maybe you’ll come up with your own tripod tricks.
by Derek Beck
Tagged Tv School
Foley Artistry
Sound is a super important part of any film/video production, but on big productions the most carefully recorded sound on set is the character dialogue. All the background noises from footsteps to paper shuffling is usually recorded separately. That’s where foley artistry comes in!
Foley is the art of reproducing and creating sounds for film. It was started by a true O.G. of sound,Jack Foley, in the roaring 20′s. He projected a movie onto a screen while he and his team recreated the ambient sounds in the movie that the microphones didn’t pick up during filming. The sounds were recorded onto one single track. Check out this example by Nick where a silent film is given a whole soundtrack via live performance.The art form has advanced considerably with the advent of multi-track recording. Modern foley artists can record multiple sounds in a studio and blend them together to make a complex auditory experience. Gary Hecker, professional foley artist, explains and demonstrates this process in this video by Michael Coleman.
You’ll notice that Gary’s work requires him to be resourceful and to have have a good sense of timing. He has to be able to make almost any conceivable sound with the collection of objects in his studio or his own voice and body. Whether it something simple like footsteps or a complex crash or fight scene, every moving object in the shot is accounted for and given a sound. Without all these crucial sounds, movies would seem unnaturally still, especially during dialogue scenes.Now, most of us don’t have a large studio with props and gadgets at our disposal. But that doesn’t mean you can’t make some great sound effects. Look around your house/apartment/hut with the footage you’ve shot in mind, and you’re bound to find a myriad of objects that can reproduce the sound effects you need.
Using your laptop’s internal microphone to record the sounds is effective, but not ideal for quality recording. You’ll want to use a dedicated sound recording device for this and most importantly think creatively. Something simple like the sound of celery snapping can be used to give dramatic realism to a violent action. Have fun experimenting!
by Daniel Hayek
Tagged Tv School
Mastering I.S.O.
Back in the days of yore when everything was black and white, cameras used film. I.S.O. was a measure of the film’s speed. The lower the I.S.O. the less sensitive the film was to light and vice versa. Now that we’re living in the future, most folks use digital cameras rather than film. Digital cameras still have I.S.O. but now it measures the light sensitivity of a sensor instead of film.
Here’s a quick video that explains it even more!
ISO Basics — Photography in (about) 90 Seconds from E. Wilding on Vimeo.
So, now that we’re clear on what I.S.O. is, let’s see what the different I.S.O. settings look like! Leave it to the Vimeo community to upload tons of I.S.O. tests. Here’s an especially good one by Amila C. Kumarasinghe. He uses a very low-light setting to take us from I.S.O. 100 to 6400 on her Canon 60D.
Canon 60D – Low Light Review with All ISO settings (RAW Footage) from Amila C. Kumarasinghe on Vimeo.
If you paid close attention, you’ll see that the higher the I.S.O. the more light the camera picked up, but the image started getting noisy. Digital noise makes the color black look grainy and fuzzy (noisy!). Here’s another test video from Andrew Schär that shows the noise in each of the different I.S.O. settings on a Canon 60D.
Testing Canon’s ISO noise in Video mode on the 60D from Andrew Schär on Vimeo.
So what’s the best way to use I.S.O.? Well, you’ll typically want to choose the lowest I.S.O. that still gives you a good image. In low light situations, you’ll have to bump it up but try to stay below 3200 if you can!
If you have a camera that allows you to change your I.S.O. you’ll usually be able to access it through the menu and it will probably look something like this:
Pro tip… As you’re choosing your I.S.O. there are a few settings, even low ones, that cause more noise and you’ll want to avoid.
Good ISOs: 160, 320, 640, 1250, and 2500
Avoid using: 125, 250, 500, and 1000. These ISO settings create noise and make your footage look grainy.
Tagged Tv School
Frame Rate Vs. Shutter Speed – Setting The Record Straight
In this day and age of constantly changing gear and technology, there’s a growing set of vocabulary that we video creators are all expected to learn. With so much jargon being thrown around, it can be easy to forget certain concepts or confuse them for other ones. A prime example of this is demonstrated by the confusion between frame rates and shutter speeds. Let’s taken a minute to clarify.
First, check out this video from –jL, which does an outstanding job explaining the difference between the two concepts:
6. Shutter Speed and FPS from –jL on Vimeo.
Presupuesto vídeo Alicante, Fotografos Alicante, estudio de fotografos, video publicidad, Foto profesional publicidad, retratos, estudio de fotografia, fotos profesionales, reportajes fotograficos, fotografo profesional, oferta fotografia, presupuesto fotografia online, presupuesto producción cine, ofertas de fotógrafos, publicidad, fotografo, retratos, fotografía publicitaria, foto profesional, fotos de catalogo, niños, fotografo de revista, reportaje publicitario, reportaje social, fotografo cine alicante, video alicante, video profesional, presupuesto fotografia, presupuesto fotografia online, presupuesto video presentación, precio de fotografos en Alicante, oferta book alicante, Book Modelos, Fotografia Creativa, Bautizos, Comuniones, Enlaces, fotografia de desnudos, fotografia erotica, reportaje social, presupuesto fotografia, presupuesto fotógrafo online. Now let’s recap: Although frame rate and shutter speed are related, they are completely separate concepts.
Frame rate refers to the number of individual frames that comprise each second of video you record, also known as FPS (frames per second.) The most common frame rates in video are 24, 25 and 30 frames per second.
Shutter speed refers to the amount of time that each individual frame is exposed for. In video, the shutter speed you use will almost always be a fraction of a second. The number used in setting a camera’s shutter speed refers to the denominator of that fraction of a second. For example, if you set your camera’s shutter speed to 60, that means that each frame is being exposed for 1/60th of a second.
People often make the mistake of equating frame rate with shutter speed. In other words, some people determine that if they are shooting with a shutter speed of 1/100th of a second, that they are in turn shooting 100 frames per second. This is not the case. Depending on the camera you are using and the frame rate you have selected, you are probably shooting at either 24, 25 or 30 frames per second and exposing each individual frame for 1/100th of a second.
The shutter speed you choose can have a very noticeable effect on the style of your video, particularly when it comes to motion. A fast shutter speed such as 1/400th of a second will produce a series of crisp frames that have a choppy look when played back. A slow shutter speed such as 1/30th of a second, on the other hand, will produce a series of slightly blurred frames that have a smoother look when played back. As a rule of thumb, you want the denominator of your shutter speed to be approximately double the number of frames per second that you are recording. In other words, if you are recording at 30 frames per second, you want your shutter speed to be 1/60th of a second.
by Sam Morrill
Tagged Tv School
180 Degree Rule Explained!
Continuity is a big part of filmmaking. If you’re shooting a short film or interview, it’s important to set the scene and establish your characters in space and time in order for the viewer to follow the action. One of the most basic continuity rules is the 180 Degree Rule.
The 180 Degree Rule states that two characters in a scene should always have the same left/right relationship to each other. If you don’t follow the 180 Degree Rule, or break it intentionally, it disrupts the scene disorients the audience. When you break the 180 line, a person who was originally facing left in a scene is all of the sudden facing right. Wait! When did they switch places?
Still not sure on the 180 Degree Rule? Watch this awesome explanation by Peter John Ross.
180 Degree Rule – Moviemaking Technique from Peter John Ross on Vimeo.
Here’s another clip that explains the 180 Degree Rule using a scene from Alfred Hitchcock’s Vertigo. We also see examples of films where directors intentionally break the rule!
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When you shoot a scene with actors imagine a line extending out between them. You can move your camera anywhere along that line, as long as you don’t cross over the line to the other side. Feel free to refer to this diagram if you need a reminder!
by Andrea Allen
Presupuesto vídeo Alicante, Fotografos Alicante, estudio de fotografos, video publicidad, Foto profesional publicidad, retratos, estudio de fotografia, fotos profesionales, reportajes fotograficos, fotografo profesional, oferta fotografia, presupuesto fotografia online, presupuesto producción cine, ofertas de fotógrafos, publicidad, fotografo, retratos, fotografía publicitaria, foto profesional, fotos de catalogo, niños, fotografo de revista, reportaje publicitario, reportaje social, fotografo cine alicante, video alicante, video profesional, presupuesto fotografia, presupuesto fotografia online, presupuesto video presentación, precio de fotografos en Alicante, oferta book alicante, Book Modelos, Fotografia Creativa, Bautizos, Comuniones, Enlaces, fotografia de desnudos, fotografia erotica, reportaje social, presupuesto fotografia, presupuesto fotógrafo online.
Tagged Tv School
An Introduction to Color Correction
For many creators, color correction (also known as color grading) is the last step in the process before a video is completed. Although the raw video taken from your camera may look good already or at least perfectly passable, color correction provides an excellent opportunity for you to make your video look even better.
This lesson will show you three different methods for color correcting your video. The first two show you how to use color correction to subtly touch up your video in Final Cut Pro and After Effects. The third video shows you how to use the popular plug-in Magic Bullet Looks to stylize your video.
Final Cut Pro includes a 3-way color corrector that allows you to adjust the whites, mid-tones and blacks in your video. This can be a very handy and straightforward tool to correct your video’s white balance and flesh tones. Zach King from FinalCutKing.com made this tutorial to get you started:
3 Way Color Corrector from Zach King on Vimeo.
For a slightly more precise method to color correct your video, Adobe After Effects is a good solution. After Effects allows you to isolate your video’s red, green and blue channels to make very precise changes to your video’s color palate. This method is a bit more labor intensive, but the results are well worth the effort. Michael DeVowe has put together this tutorial:
Last, but not least, there is Magic Bullet Looks. This is a very popular plug-in for various applications, including Final Cut Pro and Adobe Premiere, that gives you powerful tools for color correction within a very user-friendly interface. It also includes a ton of presets that you can use to instantly achieve certain looks like vintage film, sepia, etc. Philip Bloom put together this video tutorial for using Magic Bullet looks, which has gotten more than 400k views so far. Enjoy:
There are varying degrees to which you can color correct your video. On one hand, you can use color correction solely to make the colors in your video appear more accurate. On the other hand, color correction can serve as yet another tool to express yourself creatively. Similar to a good soundtrack, well-colored video can complement and help set the mood of the story that you are trying to tell. In the film ‘Traffic’, Stephen Soderbergh used three unique color schemes to distinguish the three different story lines in that film, one taking place in Mexico, one in Washington DC and another in Southern California. One other good example is ‘Saving Private Ryan’, which used a washed out color palate to convey to the bleakness of World War II. Lots of World-War II videos on Vimeo now emulate this look, which Spielberg popularized. Marlon Torres’, ‘The Bridge’, is one such film that hearkens back to this style:
The Bridge – An Encounter from Marlon Torres on .
An Introduction to Color Correction
Presupuesto vídeo Alicante, Fotografos Alicante, estudio de fotografos, video publicidad, Foto profesional publicidad, retratos, estudio de fotografia, fotos profesionales, reportajes fotograficos, fotografo profesional, oferta fotografia, presupuesto fotografia online, presupuesto producción cine, ofertas de fotógrafos, publicidad, fotografo, retratos, fotografía publicitaria, foto profesional, fotos de catalogo, niños, fotografo de revista, reportaje publicitario, reportaje social, fotografo cine alicante, video alicante, video profesional, presupuesto fotografia, presupuesto fotografia online, presupuesto video presentación, precio de fotografos en Alicante, oferta book alicante, Book Modelos, Fotografia Creativa, Bautizos, Comuniones, Enlaces, fotografia de desnudos, fotografia erotica, reportaje social, presupuesto fotografia, presupuesto fotógrafo online.
Tagged Tv School
LA SCRIPT
Hola de nuevo amigos míos ! ! y gracias por los mails que me mandáis ! ! ( ya sabéis que para cualquier cosa que queráis preguntar, sigo por aquí). Bueno, vamos a ver que toca hoy …a si, la Script.
En los rodajes amateurs, no suele haber nadie que haga de script ( y así quedan después algunos…..) por que la gente no sabe para lo que sirve, y es más, los que lo saben creen que no es importante. Dejadme que os explique la grandísima importancia que tiene.
En primer lugar, explicaros que las pelis nunca se ruedan en orden cronológico según el guión literario. Al contrario, se ruedan en el más completo desorden. ( ¿ ?) Y eso por qué ? ? pues por que así lo dice producción. Es decir, los chicos de producción dictan elplan de rodaje ( orden de rodaje se llama también) según criterios estrictamente economicos y de disponibilidad de factores. Es decir, si tenemos que grabar en la India una secuencia del comienzo y otra del climax de la peli, no haremos dos viajes a la india, si no que una vez estemos allí, rodaremos la secuencia del comienzo, y también la secuencia del final. Es más barato hacer un solo viaje que dos.
Lo mismo ocurre con los frentes de iluminación ( es más rápido=barato iluminar una sola vez un lugar y rodar todo allí, que tener que reiluminarlo de nuevo a cada vez para seguir un rodaje cronológico) igual pasa con las posiciones de cámara, etc… por cierto, por si no lo sabíais, se rueda casi siempre con una sola cámara. Solamente se rueda con más de una cámara en los planos de explosiones, de cosas que se rompan, etc… en donde sea imposible repetir la toma. Si no es así, lo que hacemos es rodarlo todo desde una posición de cámara, ( enfocando a Pepe) y luego volverlo a repetir pero cambiando la posición de la cámara (enfocando ahora a María, en el caso de una conversación de pepe y María)
Ahora viene lo bueno….. pero si rodamos el plano de Pepe el Lunes, y el de María lo rodamos el Viernes, y luego esos planos tienen que ir juntos en el montaje….como demonios hacer que parezcan que se han rodado al mismo tiempo ? ? Esa es la noción de continuidad. Es decir, tiene que haber la misma luz, los actores deben llevar la misma ropa, el mismo corte de pelo, el mismo broceado ( ojo a los rodajes en verano ! ! Véase Verano Azul…. eh ! ! por allí viene el Piraña ! ! que tiempos aquellos….).
Por eso, como todo se rueda en desorden, existe una persona, la Script, que no hace sino apuntar qué camisa llevaba Pepe, cómo llevaba el peinado María, donde tenía el cigarrillo Pepe, cómo estaba el cigarrillo de fumado, si el vaso de agua estaba lleno o semivacio, etc… La script suele llevar por lo tanto alguna polaroid para hacer fotos de las posiciones de los objetos para luego mantener la continuidad en el siguiente rodaje de la misma secuencia.
Esa noción de continuidad lleva el nombre técnico de Raccord. Hablamos por lo tanto de que la Script tiene que mantener el Raccord ( o sea, mantener la continuidad). Cuando en dos planos consecutivos no hay continuidad, decimos que no hay Raccord ( o que falla el raccord) Todo el mundo recuerda a aquellos romanos de Ben- Hur con zapatillas de Deporte ! o con el Rolex en la muñeca ! jajajajaja ! ! ! ( ” Ave César, son las nueve y cuarto según mi Rolex ! !” jajajajajajajajajaja ! ! ! !)
El raccord es algo muy dificil de mantener. Existen diferentes tipos de raccord :
- De posición, es decir que el actor esté en dos planos consecutivos en la misma posición, y no que en un plano tenga la mano agachada y en otro levantada.( psst…fijaos en el fallo de Raccord de posición de la mano del actor en Titanic, en la secuencia en la que el malo malote le da el diamante ese gigante a Kate y se lo pone en frente del espejo en su camnarote. Fijaos que él se sujeta el cuello con una mano y luego con la otra. Menudo fallo de raccord ! !)
- De miradas de personajes. Este lo veremos cuando veamos direccion de camara
- De vestuario. Sobran las explicaciones
- De luz. Que el tipo de luz sea la misma en dos planos consecutivos. ( de ahí la dificultad de rodar en exteriores)
- De posición de cámara. Lo veremos tambien, como depende de donde se coloque la cámara, dos planos consecutivos pueden o no montar.
- de maquillaje y peluquería. Ojo con las actrices que llevan el pelo largo y están todo el día con el “ O sea, vamos que yo , o sea, que sí !” echándose el pelo para atrás !
- de atrezzo
- de guión. Que el actores cambie el guion sin darse cuenta y lo repite de diferente forma a cada vez.
- de interpretación. Que el actor diga :
PLANO 1 ( Plano General) “ Hombre pepe como estás ! Tu familia bien ? ” y bebe un sorbo de agua.
PLANO 2 ( Primer Plano) “ Hombre pepe como estás ! ( y bebe un sorbo de agua) Tu familia bien ?”
Es todo lo mismo, pero en un plano bebe agua al final, y en el otro en el medio de las frases. Cuando lo vamos a montar…Problema ! !
Y la eterna pregunta……por que llevo todo el rato hablando de LA Script y no de EL Script ? ? Je, je…. no nos engañemos amigos….. las chicas tienen mucha más capacidad de retención que nosotros….sniff..sniff….. son mucho más observadoras que nosotros… se fijan más en los detalles que nosotros….. tienen más memoria visual que nosotros…. .bueno basta ya ! ! ! Si le dices a un chico, ” Oye ! como estaba el boli encima de la mesa ? ?” te dice ” Psche..por ahí encima !” eso no quita que haya buenos Scripts-chicos, pero no suele ser la norma.
Además de mantener la continuidad, la script se ocupa de rellenar un parte suyo, en que pone toda la información de cada plano ( números de tomas, tomas buenas y malas y por qué, duraciones, objetivos usados, descripción general, observaciones…) información que será utilisima en montaje y post- producción. Una buena Script suele ser alguien muy observadora, y silenciosa. Hace su trabajo sin hacer ruido, y está para cuando el Director requiere alguna información. En general, es una recapituladora de información durante el rodaje.
Jorge Esteban Blein
Presupuesto vídeo Alicante, Fotografos Alicante, estudio de fotografos, video publicidad, Foto profesional publicidad, retratos, estudio de fotografia, fotos profesionales, reportajes fotograficos, fotografo profesional, oferta fotografia, presupuesto fotografia online, presupuesto producción cine, ofertas de fotógrafos, publicidad, fotografo, retratos, fotografía publicitaria, foto profesional, fotos de catalogo, niños, fotografo de revista, reportaje publicitario, reportaje social, fotografo cine alicante, video alicante, video profesional, presupuesto fotografia, presupuesto fotografia online, presupuesto video presentación, precio de fotografos en Alicante, oferta book alicante, Book Modelos, Fotografia Creativa, Bautizos, Comuniones, Enlaces, fotografia de desnudos, fotografia erotica, reportaje social, presupuesto fotografia, presupuesto fotógrafo online.
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